Every day, Cop 223 (Takeshi Kaneshiro) buys a can of pineapple with an expiration date of May 1, symbolizing the day he'll get over his lost love. He's also got his eye on a mysterious woman in a blond wig (Brigitte Lin), oblivious of the fact she's a drug dealer. Cop 663 (Tony Leung Chiu Wai) is distraught with heartbreak over a breakup. But when his ex drops a spare set of his keys at a local cafe, a waitress (Faye Wong) lets herself into his apartment and spruces up his life.

An assassin goes through obstacles as he attempts to escape his violent lifestyle despite the opposition of his partner, who is secretly attracted to him.

A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors – veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie – unravel.

Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson) are hitmen with a penchant for philosophical discussions. In this ultra-hip, multi-strand crime movie, their storyline is interwoven with those of their boss, gangster Marsellus Wallace (Ving Rhames) ; his actress wife, Mia (Uma Thurman) ; struggling boxer Butch Coolidge (Bruce Willis) ; master fixer Winston Wolfe (Harvey Keitel) and a nervous pair of armed robbers, "Pumpkin" (Tim Roth) and "Honey Bunny" (Amanda Plummer).

On a dark, wet night a historic and regal Chinese cinema sees its final film. Together with a small handful of souls they bid "Goodbye, Dragon Inn".

Disguised as a human, a cyborg assassin known as a Terminator (Arnold Schwarzenegger) travels from 2029 to 1984 to kill Sarah Connor (Linda Hamilton). Sent to protect Sarah is Kyle Reese (Michael Biehn), who divulges the coming of Skynet, an artificial intelligence system that will spark a nuclear holocaust. Sarah is targeted because Skynet knows that her unborn son will lead the fight against them. With the virtually unstoppable Terminator in hot pursuit, she and Kyle attempt to escape.

40th Anniversary restoration from a 4K film scan of the 35mm negative and a new Dolby Atmos mix with final sound and picture approved by director James Cameron. Presented by Park Circus with thanks to MGM. Post House: Park Road Post, Colourist: Tashi Trieu, Sound Mixer for Atmos: Mike Hedges

In this sequel set eleven years after "The Terminator," young John Connor (Edward Furlong), the key to civilization's victory over a future robot uprising, is the target of the shape-shifting T-1000 (Robert Patrick), a Terminator sent from the future to kill him. Another Terminator, the revamped T-800 (Arnold Schwarzenegger), has been sent back to protect the boy. As John and his mother (Linda Hamilton) go on the run with the T-800, the boy forms an unexpected bond with the robot.

Notorious Baltimore criminal and underground figure Divine goes up against a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".

Glamour has never been more grotesque than in Female Trouble, which injects the Hollywood melodrama with anarchic decadence. Divine, director John Waters' larger-than-life muse, engulfs the screen with charisma as Dawn Davenport, the living embodiment of the film's lurid mantra, “Crime is beauty,” who progresses from a teenage nightmare hell-bent on getting cha-cha heels for Christmas to a fame monster whose egomaniacal impulses land her in the electric chair. Shot in Waters' native Baltimore on 16 mm, with a cast drawn from his beloved troupe of regulars, the Dreamlanders (including Mink Stole, David Lochary, Mary Vivian Pearce, Edith Massey, and Cookie Mueller), this film­—the director's favorite of his work with Divine—comes to life through the tinsel-toned vision of production designer Vincent Peranio and costume designer/makeup artist Van Smith. An endlessly quotable fan favorite, Female Trouble offers up perverse pleasures that never fail to satisfy.

A frustrated housewife, Francine Fishpaw (Divine), tries to maintain her sanity while taking care of her dysfunctional household. Elmer (David Samson), her husband and the owner of an adult theater, is sleeping with his secretary, and her delinquent teen son, Dexter (Ken King), and pregnant teen daughter, Lulu (Mary Garlington), aren't helping matters any. But when Francine meets dashing Todd Tomorrow (Tab Hunter), the owner of a theater specializing in art films, her life appears rosier.

A young musician, tormented by an abusive situation at home, must contend with a rival singer, a burgeoning romance, and his own dissatisfied band, as his star begins to rise.

The unofficial sequel to 'Purple Rain' (1984). The Kid is now club owner and rival to Morris (Morris Day), with whom he gets into a fight for the Glam Slam Nightclub.

When a beautiful stranger leads computer hacker Neo to a forbidding underworld, he discovers the shocking truth--the life he knows is the elaborate deception of an evil cyber-intelligence.

The line between reality and fiction starts to blur when two best friends start making a movie about getting revenge on bullies.

When their plan to book a show at the Rivoli goes horribly wrong, Matt and Jay accidentally travel back to the year 2008.

Driver is a skilled Hollywood stuntman who moonlights as a getaway driver for criminals. Though he projects an icy exterior, lately he's been warming up to a pretty neighbor named Irene and her young son, Benicio. When Irene's husband gets out of jail, he enlists Driver's help in a million-dollar heist. The job goes horribly wrong, and Driver must risk his life to protect Irene and Benicio from the vengeful masterminds behind the robbery.

A retired criminal profiler (William Petersen) reluctantly returns to the FBI to help track down a serial killer of families and is forced to consult an expert—the imprisoned Dr. Hannibal Lecktor (Brian Cox in a subtly chilling performance). The third feature written and directed by Michael Mann is a gripping adaptation of the first of Thomas Harris’s four novels featuring the iconic murderer, and benefits from the filmmaker’s typically striking visuals as well as a top-notch supporting cast, including Tom Noonan as the hunted killer, and three-time Oscar nominee Joan Allen (The Contender, 2000) as his blind love interest. 

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This new 4K Final Cut, overseen by Mann, enhances the film’s depth, visual clarity and sound, offering audiences the ultimate immersive version. Shot in 1985, MANHUNTER was on a frontier in both its subject matter and film form, initiating an impressive list of subsequent films and series.  

“40 years ago – though armed with Thomas Harris’ excellent novel, “Red Dragon” – its subject matter, the profiling of serial killers, as well as being shocking and raw, was unknown. When adapting, I wanted to make its storytelling deliver audiences into a certain state of threat and emotional engagement. Integral to that was the visualization and use of music with lyrics sometimes working like a libretto. We have carefully remastered the film to try to evoke that mood and intensity, heightened with audio sourced from the original 5.1 35mm analog masters. This latest iteration is that version of the film with which I’m most satisfied.” said director Michael Mann.  

Under the guidance of Mann, this 4K scan of the original 35mm negative – with a few shots from an interpositive - was conformed and digitally restored at L’Immagine Ritrovata in Bologna. Both the theatrical version and the UHD HDR & SDR video color gradings were performed by Stefan Sonnenfeld at Company 3 in Los Angeles with the director. Sound restoration was done at Audio Mechanics from an original 35mm magnetic 6-track printmaster to release a new 5.1 mix by Luke Schwartzweller at Fox. Technical coordination and deliveries were managed by L’Immagine Ritrovata. This project was supervised by Becca Mann and STUDIOCANAL team, Jean-Pierre Boiget and Delphine Roussel.  

For Michael Mann, the process is about renewing the film’s immediacy for contemporary audiences: “If the picture was left the way it was, it would be interesting, but you’d feel some distance …you’d be observing it somewhat.  I’m more interested in its original intent impacting you the same way it may have in 1986…that is, to bring you into it again in the original way.” 

As a film distinguished by its striking visual style, including Colleen Attwood’s costume design, Academy Award- winner Mel Bourne’s art direction, Dante Spinotti’s lighting, Mann worked with his long-time collaborator, Stefan Sonnenfeld (Company 3), to develop a new color grade for ‘The Final Cut’ that engages a contemporary audience while honoring the film’s lasting legacy. 

“A good example is the use of primaries and secondaries in combinations that don’t occur in nature for an unsettling ambiance or the use of blue for night-time imagery. We’ve changed values subtly sometimes, but significantly, to enhance the impact without changing the dramatic intent of the film,” said Stefan Sonnenfeld. 

He adds: “Michael… wants you to understand the story and the mood and the environment… and then asks you to interpret that in colour… He also tells you what emotion he’s trying to evoke from the scene.” 

The new version also introduces an HDR presentation, offering an intensified new experience. “So that nobody’s ever seen the movie like that,” noted Sonnenfeld. 

Nicolas Winding Refn (Drive) and Ryan Gosling (The Place Beyond the Pines) reunite in the highly acclaimed Only God Forgives - a stylish, mesmerising and thrilling journey through Bangkok's criminal underworld.

Julian (Gosling) runs a boxing club as a front for a drugs operation. He has everything he wants and is respected in the criminal underworld, though deep inside he feels empty.

When Julian's brother is murdered, his mother (Kristin Scott Thomas, Salmon Fishing in the Yemen) - the head of a powerful criminal organisation - arrives in Bangkok to collect her son's body. Furious with grief, she dispatches Julian to find his killers and 'raise hell'.

The stage is set for a bloody journey of betrayal and vengeance, culminating in a final confrontation and the possibility of redemption.

Jodie Foster stars as Clarice Starling, a top student at the FBI's training academy. Jack Crawford (Scott Glenn) wants Clarice to interview Dr. Hannibal Lecter (Anthony Hopkins), a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.

Two young couples traveling across the backwoods of Texas searching for urban legends of murder end up as prisoners of a bizarre and sadistic backwater family of serial killers.

The murderous, backwoods Firefly family take to the road to escape the vengeful Sheriff Wydell, who is not afraid of being as ruthless as his target.

HALLOWEEN (1978): Fifteen years after murdering his sister on Halloween Night 1963, Michael Myers escapes from a mental hospital and returns to the small town of Haddonfield, Illinois to kill again.

HALLOWEEN II (1981): After failing to kill stubborn survivor Laurie and taking a bullet or six from former psychiatrist Dr. Sam Loomis, Michael Myers has followed Laurie to the Haddonfield Memorial Hospital, where she’s been admitted for Myers’ attempt on her life. The institution proves to be particularly suited to serial killers, however, as Myers cuts, stabs and slashes his way through hospital staff to reach his favourite victim.

Presented with a 10-15 minute break between features

20 Years after escaping her brother Michael Myers's attacks, Laurie Strode, now the dean of a Northern California private school with an assumed name, must battle the Shape one last time, as the life of her own son hangs in the balance.

Wes Craven re-invented and revitalised the slasher-horror genre with this modern horror classic, which manages to be funny, clever and scary, as a fright-masked knife maniac stalks high-school students in middle-class suburbia. Craven is happy to provide both tension and self-parody as the body count mounts - but the victims aren't always the ones you'd expect.

Sydney (Neve Campbell) and tabloid reporter Gale Weathers (Courteney Cox) survived the events of the first "Scream," but their nightmare isn't over. When two college students are murdered at a sneak preview of "Stab," a movie based on the events from the first film, it's clear a copycat killer is on the loose. Sydney and Gail, as well as fellow survivors Deputy Dewey (David Arquette) and Randy (Jamie Kennedy) have to find out who is behind this new murder spree, before they all end up dead.

As bodies begin dropping around the set of 'STAB 3', a movie sequel based on the gruesome Woodsboro killings, Sidney Prescott and the other survivors are once again drawn into a game of a horror movie mayhem.

Fifteen years after the original Woodsboro murders, Sidney Prescott returns home to promote her new book about surviving trauma, only for a new Ghostface killer to emerge, targeting a new group of teens.

Found video footage tells the tale of three film students (Heather Donahue, Joshua Leonard, Michael C. Williams) who've traveled to a small town to collect documentary footage about the Blair Witch, a legendary local murderer. Over the course of several days, the students interview townspeople and gather clues to support the tale's veracity. But the project takes a frightening turn when the students lose their way in the woods and begin hearing horrific noises.

In 1630 New England, panic and despair envelops a farmer, his wife and their children when youngest son Samuel suddenly vanishes. The family blames Thomasin, the oldest daughter who was watching the boy at the time of his disappearance. With suspicion and paranoia mounting, twin siblings Mercy and Jonas suspect Thomasin of witchcraft, testing the clan's faith, loyalty and love to one another.

Fifteen years after murdering his sister on Halloween Night 1963, Michael Myers escapes from a mental hospital and returns to the small town of Haddonfield, Illinois to kill again.

After failing to kill stubborn survivor Laurie and taking a bullet or six from former psychiatrist Dr. Sam Loomis, Michael Myers has followed Laurie to the Haddonfield Memorial Hospital, where she's been admitted for Myers' attempt on her life. The institution proves to be particularly suited to serial killers, however, as Myers cuts, stabs and slashes his way through hospital staff to reach his favorite victim.

A group of strangers find themselves trapped in a maze-like prison. It soon becomes clear that each of them possesses the peculiar skills necessary to escape, if they don't wind up dead first.

A strange doorway appears in the basement of a furniture showroom.

After being committed for 15 years, Michael Myers, now a grown man and still very dangerous, escapes from the mental institution and immediately returns to Haddonfield to find his baby sister, Laurie.

Laurie Strode struggles to come to terms with her brother Michael's deadly return to Haddonfield, Illinois; meanwhile, Michael prepares for another reunion with his sister.

Reality and fantasy begin to blur when a teenager, alone in her attic bedroom, immerses herself in a role-playing horror game online.

Teenager Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.

Don't miss a special preview screening of Jane Schoenbrun's TEENAGE SEX AND DEATH AT CAMP MIASMA at The Prince Charles Cinema on Thursday 13th August. Warm up for this preview screening with a special CAMP MIASMA INSPIRED MYSTERY MOVIE MARATHON curated by Jane Schoenbrun on Saturday 25th July!

Hacks breakout star Hannah Einbinder and, in a playful bit of meta-casting, Gillian Anderson (The X Files, Sex Education) headline this heady, gory slasher homage from writer-director Jane Schoenbrun. Like Schoenbrun’s previous films I Saw the TV Glow and We’re All Going to the World’s Fair, it uses a horror genre lens to explore a rich array of themes and ideas – queer identity and sexuality, memory and nostalgia, the nature of female desire, the state of the entertainment industry – with humour, vulnerability and affection.

After years of slapdash sequels, the Camp Miasma slasher franchise is handed over to an enthusiastic, cerebral young director (Einbinder) – who credits the first film with her own queer awakening – to resurrect. But fantasy and reality collide when she visits the original film’s star (Anderson), now a mysterious recluse living on its old set, and the two women fall into a blood-soaked world of fear, desire and delirium

New 4K Restoration!

A disparate group of individuals takes refuge in an abandoned house when corpses begin to leave the graveyard in search of fresh human bodies to devour. The pragmatic Ben (Duane Jones) does his best to control the situation, but when the re-animated bodies surround the house, the other survivors begin to panic. As any semblance of order within the group begins to dissipate, the zombies start to find ways inside. One by one, the living humans become the prey of the deceased ones.

"Night of the Living Dead was restored by the Museum of Modern Art and The Film Foundation, with funding provided by the George Lucas Family Foundation and the Celeste Bartos Preservation Fund."

When foreman Frank (James Karen) shows new employee Freddy (Thom Mathews) a secret military experiment in a supply warehouse, the two klutzes accidentally release a gas that reanimates corpses into flesh-eating zombies. As the epidemic spreads throughout Louisville, Ky., and the creatures satisfy their hunger in gory and outlandish ways, Frank and Freddy fight to survive with the help of their boss (Clu Gulager) and a mysterious mortician (Don Calfa).

After an abandoned boat sails into New York harbor with a zombie aboard, a reporter teams up with the daughter of the boat's missing captain to investigate the island where he was last seen conducting research—the site of an alleged zombie outbreak.

* ON SALE 12th OCT *

Oddball cable installer Chip Douglas (Jim Carrey) attempts to strike up a friendship with customer Steven Kovacs (Matthew Broderick) by offering him premium channels at no cost. When Steven rebuffs Chip's frequent need for companionship, Chip goes from a mildly eccentric acquaintance to a full-fledged psycho stalker. Though it's increasingly apparent to Steven that the cable guy is dangerous, convincing his friends, family and the authorities of that is another matter entirely.

After breaking the mysterious "One Wish Willow" to win his crush's heart, a hopeless romantic finds himself getting exactly what he asked for but soon discovers that some desires come at a dark, sinister price.